Scripting for Film Production
(If you have had a scriptwriting class, use the formatting you learned there. Otherwise, use the instructions below.)
General Rules
1. All copy is typed or
prepared using a computer and printer.
2. Script should be printed
on 8 1/2" x 11" paper.
3. Type should be on only
one side of paper.
4. Make sufficient copies
for all personnel as needed.
5. Use standard heading
above script copy for each page. Title,
date, length, producer,
director, page no., etc.
6. Type should be courier or courier new, 12 pt.
Film-style Script Overview
1. Usually, several pages
at the beginning of the script will provide information concerning character
descriptions, wardrobe, make-up, props lists, settings, etc..
2. All pages are numbered.
Any revisions are noted with date of revision with the page number.
Some scripts use colored paper for revisions and additions to the script.
3. Each scene is handled individually.
A summary of the on screen action accompanies the description of any
camera angle used for each part of the scene.
Any dialog which takes place during the scene or camera shot will be
written in after the camera angle description.
4. Scenes are numbered consecutively
based on change in time or setting. Master-scene scripts describe and number
only the scenes. The camera angles
are decided upon by the director while shooting on location. A shot-by-shot
script lists shots consecutively without regard to scene changes.
5. Scene descriptions, camera angles,
and stage information are typed accross the page within the scene or shot
numbers. Key information is typed using
all caps.
6. Dialog is typed in a narrower format
(2 indentions) below the scene information.
Character names are centered and in all caps with the dialog in lower
case below.
7. Double-spacing is used to separate
one scene from another. It is also
used to separate character dialog within the scene. Avoid jamming too much on one page. It is better to space out the information as
needed.
EXAMPLE SCRIPT
Page 4 SCENE 4 EXT. LIVING
ROOM - JOHN'S HOUSE - MIDDLE AFTERNOON JOHN JANICE JOHN looks at JANICE somewhat annoyed. Stands. Walks menacingly toward her, pointing his finger. JOHN JANICE becomes afraid and starts
heading for the door. JOHN goes after her. |
Information
above is adapted from the following texts:
Broadcast Writing: Principles
and Practice, 2nd Ed. by Roger L. Walters,
1988 and Broadcast Writing as a Liberal Art
by Seth Finn, 1991.